Snapshots, Nearly Solstice

I wake up and study voice and guitar until my fingers and throat are feeling worn. I'm fighting a cold again. This music thing is a marathon before me, and I only just got the shoes. Beginner mind is supposed to be refreshing and insightful, I think. But my mind is preoccupied with mourning. I write to a friend and tell her all the things I think of doing in my weakest moment, which is now. I feel better having said them.

"I can't think of what to write next in this story!" Sam shouts. "I just can't."
"Sit with it," I tell him. "It's Spirit coming through you. Just quiet your mind, open and relax. It's all there." I wonder why I can't open and quiet like this in my moments of despair. I think I might be peeking through some sort of tear in the fabric now, because I do hear my words and wonder at them. I am not alone in the struggle because we are all trying to sit with what is while what's next rolls in. So much uncertainty.

I suddenly cry hard in the kitchen and both boys come to comfort me. I miss my Mom. It's Christmas without her. I sob and sob. Trinidad tells me in his young man voice to let it through, it's all right. He rubs my back. I see their care for me as a reflection of mine for her and I cry harder. Sam tells me to take my time, everything else can wait. Sit down. I can do nothing else. When I am done, I get us all some chocolate. We agree that it is good.

I am sitting on a chair in the kitchen, wearing an apron and holding my guitar. I am practicing Ode to Joy over and over until I'm not sure I like it anymore. The dog sits at my feet and stares up at me as if I were Jesus. I wonder at her taste in idols. The pressure cooker hisses above my melody.

All of this is inextricable. How can who I am be anything but what I do in this season of my life?

To Work with the Dead

The moon is not a difficult thing to love. Even behind a cloud, it is soft in its gaze, always poised at the edge of its seat looking down on me. I see it tonight, and I am moved by its patience, its ever-presence, its spirit in my world.

Sometimes, I forget it hanging there. There are weeks that I do not go outside at night. I bristle against the cold, the damp. Sometimes I forget that even in the rain, the moon sits it out, waiting. When I see nothing but darkness where the moon should be, that pale golden globe holds its place in the sky, singing its silent moonlight song. Even in total darkness, it does not forget its purpose.

I wish I was so steady in my way. I wish that the cosmos had gifted me a heart that trusted light to come and come again, stretching across the darkest canyons of my love-in-waiting. I wish I could touch the stardust in me now, know that I am spinning, spinning, spinning for good reason. All for the blessing of darkness in light.

The trees stand solemnly still in the sky tonight, bare bones lifted high into the mist. I am here beside them, my cheeks chilling as I sweep the last of the leaves up from the driveway. I have borne the rest away to my garden where they blanket the cold feet of naked bushes and trees. Now I stand in the dark, afraid to go inside and return to my human existence.

Here, I am cool and wet like the leaves themselves, tall and dark like the willow. I, too, am waiting for spring. I stand awhile in the rose arbor. I pause to allow the experience to be, this waiting and watching upon entering one space as I leave another. I can go back, I can always go back. The willow laughs at my observation. She doesn't see any going back. She just sees me under the arbor.

I make this human gate, this threshold for transformation. I make it for myself. It is my axis to turn on. I pray for the light to be remembered in me. I receive the damp offerings of earth and sky. This is my home.

I am always reminded of these truths that run far deeper than me when I move so many leaves. It is always a blessing to work with the dead.

In Honor of What

I bought myself some new dancing shoes, and tonight, I took them out for a spin.

Reentry into the ballroom scene is not so very difficult in most ways. I find my cubby, stash my cycling boots, and slip on my new jazzy black slippers. I look around not-so-obviously at the selection of potential partners while they look not-so-obviously at me.

I remember how this works. New fish in the pond are the first to be caught. Often enough, they are also tossed back when -- oops! -- they forget the steps to the west coast swing. Never tossed mid-song. Well, almost never; I think it only happened to me twice. But at the end of a song, you can feel your partner's disappointment. He wears it like a leaden yoke, and it's painful for him to fully raise his head to look at you politely as a gesture of goodbye. You must pardon my masculine assumption here (the "he"); all of my women dancing partners I've had to invite personally.

Okay, so I am perched on a step, prepared to be caught. Snap! It happens. A swing dance first. My favorite, and not too hard to piece together. Then, something called a "Night Club" follows, which sounds more like a drink than a dance. "I don't really know this one," I say, smiling sweetly.

My partner takes me out, a fine lead, and I pick up the dance more quickly than I thought I would. The first time I get the basic steps without tripping over him, he nods and says, "Okay, now let's try something different."

Oh, right. Just when I get the basic down for the first time? Now we're switching it up? So we try something different. After a couple of turns, I get that, too. He is delighted and jumps into a new move which leaves me criss-crossed on the wrong side of his arms. He looks at me sideways and says, "Oh, don't worry. It's probably the hardest move in this dance."

Excuse me? That's supposed to be reassuring? What makes you think that's such a great idea, I wonder, trying out your most difficult move when I've barely got my feet moving in step with you? Brilliant. I am set for success.

One older gentleman whose name, Helmut, is embroidered on his official ballroom dancing sweatshirt, tells me under no uncertain terms that a woman must follow and the man is totally in charge. Modern women, he says, have a hard time with this. I wonder if he thinks I am intentionally trying to gum up his grace in order to bolster my feminine independence. I look at him cock-eyed. "Is that supposed to be a hint?" I ask. His confidence ebbs, and the lecture ends.

They keep asking me to dance. Each time, I warn them that I haven't danced much in the last decade. Some believe me and take it achingly slow. Others think I'm being humble. If they are a strong lead, I keep up. One fellow just a little older than me learns quickly that my warning especially applies to the tango. He walks me through it counting aloud. We do okay.

Then he starts talking to me. My lips work better than my legs, so they take over, and my legs fall off. Well, not entirely, but it is kind of a drag for both of us. It takes him a full turn around the floor to understand the problem and stop asking me questions. He then has to go back to telling me which foot to move: left, right, left, right.

Okay. Good again. Then he asks me where I dance when I'm not dancing here. Ummm.... really? Aren't you the guy who just taught me my right from my left? "Because there's a dance tomorrow night at the Eagles Club," he tells me. I say I'm going to the concert of a friend of mine instead. He looks disappointed. The dance is over.

One man asks if I do the Silver Waltz, and I tell him that I did once. He tries me, and low and behold! The feet remember. I recall as if it was yesterday practicing this dance while walking my dog down the bark-o-mulch path at Alton Baker park. (Yes, there was trouble with the leash.) I am so surprised to remember the steps that I almost share my celebration. Then I recall how well talking helped my tango, and I keep my mouth shut.

Another man asks me to dance. "Err... what is it?" I ask. "A merengue. You can't mess it up," he tells me. Now there's someone who's been watching, I think. We take the floor, and I do remember how to look sexy squishing grapes with my feet. This man is charmed by my flair. He asks me to dance the next waltz. For some reason, my legs don't go with his anymore, and he is irritated. It's simply a progressive waltz, he says, but I can't seem to remember which leg goes when. I suspect he thinks I'm a great dancer who is disabled just for him, just to ruin his waltz. Perhaps it is so. He gives me a very sour look. I widen my eyes and smile.

A fellow insists on teaching me the West Coast Swing. I appreciate his patience, actually, and his counting aloud. He asks me to teach him the rumba, which I manage to do, just barely. I tell him that I'm rusty because it's my first full night dancing in a decade. "Oh!" he says. "In honor of what?"

In honor of what? How do I answer that? "Transition," I say and look away, hoping he doesn't ask more.

"What kind of transition?" he asks. This is officially not small-talk. This man is fired.

I look at him blankly. One-two-three, one-two-three. Why have I not danced? Transition of my husband into a woman? Transition in and out of two more relationships following? Neither of them rooted, and never a real space to be single, or at least singular, in between...why have I not danced?

It's a transition, I think, in honor of What. Just as he said it. But that's not the pat sort of answer that's allowed on the dance floor.

Nevertheless, it is worth a new set of shoes and an evening of laughter, missteps, and sweet memories lived aloud. In honor of What.